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“If this piece didn’t exist,” says James, holding a piece of sheet music, “I wouldn’t be sitting here.” He refers to Adagio & Rondo for glass armonica in C minor (KV 617), composed by none other than Wolfgang Amadeus Mozart. In the hands of one of its few living virtuosos, of course, the glass armonica is something else entirely. But even in the hands of a first-timer like Scallon, who makes sure to take his turn at the keyboard-of-bowls, the glass armonica sounds like no other instrument even most of us in the 21st century have heard. Transportation presents its challenges, but so does the act of playing, which requires a routine of hand-washing (and subsequent re-wetting, with distilled water only) that even the coronavirus hasn’t got most of us used to. Not only does James play a glass armonica, he plays a glass armonica he built himself - and has presumably rebuilt a few times as well, given its scarcely believable fragility. You can see that for yourself in the video above, in which guitarist Rob Scallon visits musician-preservationist Dennis James. The playing, however, is easier written about than done.
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Essentially a series of differently sized bowls arranged from large to small, all rotating on a shaft, the glass armonica allows its player to make polyphonic music of a downright celestial nature. As we’ve previously noted here on Open Culture, the musically inclined Franklin invented an instrument called the glass armonica (alternatively “glass harmonica”) - or rather he re-invented it, having seen and heard an early example played in London. But to unite the two required the truly American combination of genius, wherewithal, and penchant for folly found in one historical figure above all: Benjamin Franklin. Many of us have also heard (or indeed made) music, of a kind, with the rims of wine glasses. We’re all familiar with keyboard instruments. The Ramones Play New Year’s Eve Concert in London, 1977 The Ramones, a New Punk Band, Play One of Their Very First Shows at CBGB (1974) Talking Heads Perform The Ramones’ “I Wanna Be Your Boyfriend” Live in 1977 (and How the Bands Got Their Start Together) Or sign up for our daily email and get a daily dose of Open Culture in your inbox.ĭave Grohl & Greg Kurstin Cover Van Halen’s “Jump,” Celebrating David Lee Roth, One of the Hardest Rocking Jews, on the Fourth Night of Hannukah
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It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere.Īlso consider following Open Culture on Facebook and Twitter and sharing intelligent media with your friends. Would you like to support the mission of Open Culture? Please consider making a donation to our site. Above, watch them pay tribute to two nice Jewish boys from Queens named Jeffery Hyman and Thomas Erdelyi, aka the great Joey and Tommy Ramone. As mentioned earlier this week, Foo Fighters frontman Dave Grohl and producer Greg Kurstin have launched The Hanukkah Sessions, a festive music series where they cover a song–one for each night of Hanukkah–originally created by a Jewish musician.